Lee Lee
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biography

 

Artist Statement

My paintings grow from direct international experiences in over 40 countries. I do not believe in the emergence of a singular global culture, to do so would be arrogant and blind. I do believe that we have the capacity to understand those who are very different from ourselves, and that this is a necessary undertaking as the world becomes more accessible on a global level.

The foundations of my work are built to reflect the day to day labors of people, while exploring the rituals they perform to give meaning to their lives. They are not lofty reflections of an idealized world, rather manifestations of an often gritty reality. I maintain a strong figurative tradition because I’ve learned that we are better able to grasp situations that are foreign to us simply by recognizing the human form. The abstract elements of painting allow for gestural expressions which expand our ability to understand subjects on an emotional level.

From the intensity of the effects of war, to the calm of a gentle embrace, I explore the diverse conditions of our world. While abroad, I approach a place with empathy, not judgment. Having explored many cultures, I’ve found the attempt to truly understand a place more important than simply echoing "exotic" appearances.

Exploration of the ways we are connected to each other as well as the environment is paramount to my work. I approach a variety of topics which has led me to a wide range in style as I strive to portray the emotional depths of my figures and their situations. Instead of imposing myself, I aspire to create genuine reflections by constantly experimenting with new techniques, materials and aesthetics that are appropriate to a specific subject.

Process is vital to my visual language. Encompassing pictorial oil on canvas paintings as well as abstracted figures set on experimental grounds, I delight in the personal development of artistic approaches. Perspective on the cyclical nature of life is retained by incorporating both historical reference and contemporary elements.

I struggle with the disregard of life, and strive to bring attention to those who have been marginalized as well as the disastrous environmental effects of our current lifestyle. Emphasizing balance, I use destructive processes to reflect the severities of life, while building imagery that demonstrates resilience and hope. Through this combination, I focus on the execution of marks to make multilayered and engaging paintings. I aspire to create beautiful work because I feel it's important to encourage a viewer to spend time to reach a deeper consideration of a subject, especially when severe.

Often I align myself with organizations who work in fields that have inspired me. In this way I broaden my audience beyond those who typically walk in art circles while giving back to the people and places which make up the foundation of my work. I'm a populist who enjoys dialogue with a wide range of communities.


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reflections - process - experiences - thoughts